Раздел |
[RUS]
1. История и теория культуры |
Страницы | 8-30 |
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Тип | [RAR] – Научная статья |
Коды | [УДК] 001.1.362 |
Заглавие |
[RUS]
Наука, искусство, реальность[ENG]
Science, art, reality |
Авторы |
[RUS]
Серов
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Аннотация |
[RUS]
В настоящей работе проведена попытка выявления семантической связи, с одной стороны, между цветовыми канонами, которые тысячелетиями воспроизводились мировой культурой, благадаря чему была построена «атомарная» модель интеллекта, и с другой, – между универсалиями Анны Вежбицкой и реалиями внешнего мира. Хроматическая наука о цветовой гармонии И. Гете и знаменитые опыты М.В. Матюшина позволили сопоставить теоретические и экспериментальные данные, которые подтвердили гипотезу хроматизма о том, что цветовые каноны служили маркерами установления гармонии между людьми в целях успешного продолжения рода человеческого.
[ENG]
For thousands of years the human genius has been reproduced in certain features which for all intents and purposes objectified all subjective demonstrations of subjects and exploration targets. What are these features? Is it possible to identify the single predicate for ontologically heterogeneous learning systems? The author testified that it could be only "information" and "color" in particular as perfect (cultural, psychic) associated with relatively material (physical, physiological and/or linguistic) through feelings as their informative and energetic relationship. The principles of personality subdivision into the triad of "atomic" components were laid down by Plato and further developed by Freud, Young and others. The ontological specification of the components prompted the author to the "atomic" model of intellect (AMI) and/or AMI with gender opposition (AMIGO). Such differentiation of AMI and/or AMIGO on grounds of relevant components testified that intellect is an interdependence system which consists of such functions as consciousness sociality, unconscious esthetics and unconsciousness natu-re. The hypothesis suggested by Anna Verzhbitskaya's in comparison with the "background/figure" opposition testified that a man has always considered the figure and its sex to be more important. According to AMIGO it easily keeps with psycholinguistic comparability of color naming and kinship terms and forms a more adequate criterion of universal determination. Since the characteristic property of color modality is an opposite character of percepts processing just as perfectly distributed images which essentially characterize the immanent inconsistency of the components comprising the human intellect. Perhaps that is why for thousands of years color canons were reproduced in cultural monuments all over the world. They objected intellect predicates in AMIGO and now we can associate them with Schwarz's axiological characteristics and with Matyushin's color tables under relevant results. As any system is defined by its components relations and by the kind of information presented in particular, the color compositions turned out to be an ideal set of tools for studying creators' intellect, their works, phases of history etc.
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Текст |
[RUS]
Введение 1988 г. Русский музей. Ди...
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Ключевые слова |
[RUS]
Цветовой концепт
семантика цвета хроматизм как наука о реальном человеке в реальном мире [ENG]
Color concept
color semantics chromatism as the science dealing with a real man in a real world |
Ссылки |
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Файлы | 1-serov.pdf |
Выходные данные журнала «Культура и цивилизация», в котором размещена статья.
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