Раздел / Sectional title |
[RUS]
История и теория культуры[ENG]
History and Theory of culture |
Страницы / Pages | 33-48 |
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Тип / Type | [RAR] – Научная статья |
Коды / Numbers | [УДК] 7.03 |
Заглавие / Title |
[RUS]
Византийские иконы на монетах нормандского правителя сирийской Антиохии. Опыт рецепции византийской иконографии на заре крестовых походов[ENG]
Byzantine icons of the coins of a Norman ruler of Antioch. Latin reception of Byzantine iconography at the dawn of the crusades |
Авторы / Authors |
[RUS]
Брюн Сергей ПавловичАспирант,
Институт культурологии Государственного академического университета гуманитарных наук [ENG]
Bryun Sergei PavlovichPostgraduate student,
Institute for Cultural Research of the State Academic University of Humanitarian Sciences, Museum of Russian Icon |
Аннотация / Abstract |
[RUS]
Статья посвящена фоллисам, чеканившимся одним из первых франко-нормандских правителей Антиохии – князем Рожером (1112-1119 гг.), как яркому примеру латинской рецепции византийской иконографии, в частности – раннему для латинских христиан прецеденту приятия образа «Чуда Св. Георгия о змие».
[ENG]
Italy has historically served as a center of the contact of the Latin West with Byzantium and, of course, with the center of the Western reception of Byzantine art. In various regions of this diverse and fragmented peninsula one can come across numerous monuments of Byzantine art, and more or less close imitation of Byzantine models. However, it should be noted that among the peoples of Italy in the XII century unusually open to the acceptance of Byzantine art were not only the Lombards, Venetians and Romans, but also outlandish North French conquerors – the Normans.
Syria became no less important center of Western (and, in particular, Norman) reception of Byzantine culture, iconography and art, and particularly the ancient capital of the Hellenistic and Byzantine Syria – Antioch.
Antioch became a new center of the contact and the Latins and the Byzantine Empire. This juxtaposition took different forms, ranging from violent military clashes to very intensive communication in the church, city and commercial and economic life. In particular, the Norman Antioch turned into a some kind of an outpost of the Latin reception of the images of Byzantine art.
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Текст / Text |
[RUS]
Введение Как известно, Италия исторически служила центром...
[ENG]
Introduction It is a well-known fact that Italy was the historic center...
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Ключевые слова / Keywords |
[RUS]
Византийское искусство
крестовые походы нумизматика нормандцы Антиохия Сирия иконография Богоматери Св. Георгий Чудо Георгия о змие [ENG]
Byzantine art
Crusades numismatics the Normans Antioch Syria iconography of the Theotokos Saint George and the Dragon |
Ссылки / References |
[RUS]
[ENG]
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Файлы / Files | 2-bryun-sergei-pavlovich.pdf |
Выходные данные журнала «Культура и цивилизация», в котором размещена статья / Publisher's imprint of the journal "Culture and Civilization", which includes the article ►
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